Sandro Botticelli
Sandro Botticelli's Oil Paintings
Sandro Botticelli Museum
c. 1445 – May 17, 1510. Italian painter.

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Here are all the paintings of William Turner 04

ID Painting  Oil Pantings, Sorted from A to Z     Painting Description
24477 Music party in Petworth (mk31) William Turner Music party in Petworth (mk31) 1835 Oil on canvas 121x90.5cm
89712 Musikgesellschaft, Petworth William Turner Musikgesellschaft, Petworth c. 1835 Medium oil on canvas cjr
55036 Naked portrait William Turner Naked portrait mk239 1910-1911 Watercolour 33.1x33cm
85754 Naufragio William Turner Naufragio 1805(1805) Medium Oil on canvas cyf
54911 Night William Turner Night mk238 1825-1830 Watercolour 30.2x43.9cm
54971 Night William Turner Night mk238 1833-1835 Watercolour 24x31.5cm
55059 No title William Turner No title mk239 1911 29x25.6cm
55076 No title William Turner No title mk239 1911 Watercolour 28.3x25.8cm
55077 No title William Turner No title mk239 1911 Watercolour 28.3x25.8cm
55103 No title William Turner No title mk239 1915 Watercolour 45x61cm
55106 No title William Turner No title mk239 1916 Watercolour 23.8x16cm
55107 No title William Turner No title mk239 1916 Watercolour 28.5x22cm
55110 No title William Turner No title mk239 1917 Watercolour 25.5x34cm
55111 No title William Turner No title mk239 1916 Oil on canvas 67x60cm
55112 No title William Turner No title mk239 1917 20.7x14cm
55113 No title William Turner No title mk239 1917 30.8x21cm
55114 No title William Turner No title mk239 1917 Watercolour 34x25.5cm
55116 No title William Turner No title mk239 1918 Watercolour 27.4x38cm
55117 No title William Turner No title mk239 1918 Watercolour 25.7x34.4cm
55118 No title William Turner No title mk239 1918 Watercolour 35x52.5cm
55122 No title William Turner No title mk239 1921 Watercolour 30.4x24.4cm
55123 No title William Turner No title mk239 1920 Watercolour 24x19cm
55126 No title William Turner No title mk239 1922 Watercolour 34x24cm
55127 No title William Turner No title mk239 1922 Watercolour 26.9x36.6cm
55129 No title William Turner No title mk239 1922 Watercolour 46.7x42.5cm
55130 No title William Turner No title mk239 1922 Watercolour 32.8x47.8cm
55134 No title William Turner No title mk239 1923 Watercolour 33x47.5cm
55143 No title William Turner No title mk239 1924 Watercolour 25x20cm
55180 No title William Turner No title mk239 1930 22.3x16.1cm
55208 No title William Turner No title mk239 1940 49x31.5cm
55213 No title William Turner No title mk239 1941 Oil painting
55214 No title William Turner No title mk239 1941 31x48cm
55216 No title William Turner No title mk239 1941 33x51cm
55218 No title William Turner No title mk239 1940 49.8x35cm
43981 Norham Castle, Sunrise William Turner Norham Castle, Sunrise 1845 Oil on canvas, 91 x 122 cm
55205 Note William Turner Note mk239 1939 31.6x48.5cm
55124 Nuber two William Turner Nuber two mk239 1921 Oil on canvas 131x181cm
55125 Nuber two William Turner Nuber two mk239 1921 Watercolour 19.1x22.9cm
55048 Nubmer William Turner Nubmer mk239 1913 Oil on canvas 200x300cm
55083 Nubmer 26 William Turner Nubmer 26 mk239 1912 oil on canvas 97x107.5cm
55085 Nubmer 28 William Turner Nubmer 28 mk239 1912 Oil on canvas 39x56.1cm
55088 Nubmer 30 William Turner Nubmer 30 mk239 1913 Oil on canvas 111x111cm
55082 Number 15 William Turner Number 15 mk239 1912 Watercolour 31.3x47.6cm
55054 Number 19 William Turner Number 19 mk239 1911 Oil on canvas 120x141.5cm
55096 Number 199 William Turner Number 199 mk239 1914 Oil on canvas 162.6x122.7cm
55055 Number 21a William Turner Number 21a mk239 1911 Oil on canvas 96x105cm
55042 Number nine William Turner Number nine mk239 1910 Oil on canvas 110x110cm
55041 Number seven William Turner Number seven mk239 1910 Oil on canvas 131x97cm
55047 Number seven William Turner Number seven mk239 Oil on canvas 131x97cm
55044 Number ten William Turner Number ten mk239 1910 Oil on canvas 120x140cm
54826 Old London bridge William Turner Old London bridge mk238 1797 watercolour 26.2x35.9cm
55141 On the purple William Turner On the purple mk239 1924 Watercolour 34.5x22.6cm
56675 over backen William Turner over backen mk248 detta devonsbirelandskap ar sa inspirerat av claude lorrains landskapsmakeri, att den engelska landsbygden kika garna kunnat vara italin, turner larde sig teckna ocb farglagga topogragiska bilder i mitten av 1790-talet. da ban ocb girtin bada var anstallda av tbmas monro.
54946 Oxford street William Turner Oxford street mk238 1837-1839 Watercolour 38.2x55.2cm
91560 Oxfordshire William Turner Oxfordshire 1810(1810) Medium oil on canvas Dimensions 101,5 x 130 cm cyf
54815 Pantheon William Turner Pantheon mk238 1798 Oil on canvas 74.3x58.4cm
55031 Part William Turner Part mk239 1909 Oil on canvas 95.2x150.1cm
55037 Part of Constructure William Turner Part of Constructure mk239 1910 Oil on canvas 58x48cm
92308 Passagiere gehen an Bord William Turner Passagiere gehen an Bord 1827(1827) Medium oil on canvas Dimensions 170,2 X 235,5 cm cyf
3235 Peace William Turner Peace 1842 Tate Gallery, London
24489 Peace-burial at sea (mk31) William Turner Peace-burial at sea (mk31) 1842 Oil on canvas 87x86.5cm
90750 Pethworth Sussex, Wohnsitz des Earl of Egremont, Taufrischer Morgen William Turner Pethworth Sussex, Wohnsitz des Earl of Egremont, Taufrischer Morgen 1810(1810) Medium oil on canvas Dimensions 91,4 x 120,6 cm cjr
24475 Petworth Park.Tillington Church in the distance.Ca (mk31) William Turner Petworth Park.Tillington Church in the distance.Ca (mk31) Ca.1828 Oil on canvas 64.5x145.5cm
55105 Picnic William Turner Picnic mk239 1916 watercolour 34.4x34.2cm
55174 Point of intersection William Turner Point of intersection mk239 1928 48.5x31cm
79667 portrait William Turner portrait 1798(1798) Medium Oil on canvas Dimensions 58 x 72.5 cm (22.8 x 28.5 in) cyf
24472 Prudhoe Castle,Northumberland (mk31) William Turner Prudhoe Castle,Northumberland (mk31) 1826 Watercolour 29x41cm
55191 Purple William Turner Purple mk239 1934 130x162cm
55202 Purple with orange William Turner Purple with orange mk239 1935 Oil paiting 88.9x116.2cm
43978 Quillebeuf, at the Mouth of Seine William Turner Quillebeuf, at the Mouth of Seine 1833 Oil on canvas, 88 x 120 cm
86260 Quillebeuf, Mouth of the Seine William Turner Quillebeuf, Mouth of the Seine Date 1833(1833) English: Oil on canvas Dimensions 91,5 x 123,2 cm cjr
54866 Quli and Cisi William Turner Quli and Cisi mk238 1811 Oil on canvas 190.5x160cm
54962 Rain Cloud William Turner Rain Cloud mk238 1845 29.1x44cm
61218 Rain, William Turner Rain, Rain, Steam and Speed - The Great Western Railway painted (1844).
3237 Rain, Steam and Speed The Great Western Railway William Turner Rain, Steam and Speed The Great Western Railway 1844 National Gallery, London
52522 Rain, Steam and Speed The Great Western Railway before 1844 William Turner Rain, Steam and Speed The Great Western Railway before 1844 Oil on canvas, 91 x 122 cm
40688 Rain,Steam and Speed William Turner Rain,Steam and Speed mk156 Before 1844 Oil on canvas 91x121.8cm
43312 Rain,Steam and Speed The Great Western Railway William Turner Rain,Steam and Speed The Great Western Railway mk170 before 1844 Oil on canvas 90.8x121.9cm
21772 Rain,Steam and Speed,The Great Western Railway (mk10) William Turner Rain,Steam and Speed,The Great Western Railway (mk10) 1844 Oil on canvas 91 x 122 cm London,National Gallery
54522 Rain,Steam and Speed-the Great Western William Turner Rain,Steam and Speed-the Great Western mk235 1844 Oil on canvas 91x122cm
24494 Rain,Steam and Speed-The Great Western Railway (mk31) William Turner Rain,Steam and Speed-The Great Western Railway (mk31) 1844 Oil on canvas 91x122cm
54923 Receive baptism William Turner Receive baptism mk238 1825 Oil on canvas 60x75.5cm
55167 Red trap William Turner Red trap mk239 1929 Oil on canvas 62x49cm
82652 Regatta Beating To Windward William Turner Regatta Beating To Windward Oil on canvas Dimensions 35 1/2 x 47 1/2 in. cyf
54822 Resident place William Turner Resident place mk238 1795
54940 Rider William Turner Rider mk238 23x30.5cm 1835
81978 Rise of the Carthaginian Empire William Turner Rise of the Carthaginian Empire Date 1815 cyf
54852 River William Turner River mk238 1805-1807 Oil on canvas 85.7x116.8cm
54907 River William Turner River mk238 1824-1825 Watercolour 16.2x24.2cm
24456 River scene with boats (mk31) William Turner River scene with boats (mk31) 1796-97 Watercolour,gouache and pencil 11.3x18.6cm
24453 River Scene,Evening effect (mk31) William Turner River Scene,Evening effect (mk31) 1796-97 Watercolour,gouache and pencil 11.3x18.6cm
88100 Rom, vom Vatikan aus gesehen William Turner Rom, vom Vatikan aus gesehen 1820(1820) Medium Oil on canvas Dimensions Deutsch: 177 x 335,5 cm cjr
54885 Roman William Turner Roman mk238 1820 Watercolour 29.6x40.6cm
54944 Roman William Turner Roman mk238 1839 Oil on canvas 91.4x121.9cm
54939 Roman fire William Turner Roman fire mk238 1834-1835 Watercolour 21.6x36.7cm
54882 Roman town William Turner Roman town mk238 1819 Watercolour 22.4x28.5cm
54883 Roman town William Turner Roman town mk238 1819 Watercolour 23.1x36.9cm
3213 Rome from the Vatican William Turner Rome from the Vatican 1820 Tate Gallery, London
55154 Rose and gray William Turner Rose and gray mk239 1924 59.5x48.5cm
24483 Rouen,looking up the Seine (mk31) William Turner Rouen,looking up the Seine (mk31) 1832 Watercolour and pen on blue paper 14.1x19.2cm
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William Turner
English Romantic Painter, 1775-1851 Joseph Mallord William Turner (23 April 1775 ?C 19 December 1851) was an English Romantic landscape painter, watercolourist and printmaker, whose style is said to have laid the foundation for Impressionism. Although Turner was considered a controversial figure in his day, he is now regarded as the artist who elevated landscape painting to an eminence rivalling history painting. Turner's talent was recognised early in his life. Financial independence allowed Turner to innovate freely; his mature work is characterised by a chromatic palette and broadly applied atmospheric washes of paint. According to David Piper's The Illustrated History of Art, his later pictures were called "fantastic puzzles." However, Turner was still recognised as an artistic genius: the influential English art critic John Ruskin described Turner as the artist who could most "stirringly and truthfully measure the moods of Nature." (Piper 321) Suitable vehicles for Turner's imagination were to be found in the subjects of shipwrecks, fires (such as the burning of Parliament in 1834, an event which Turner rushed to witness first-hand, and which he transcribed in a series of watercolour sketches), natural catastrophes, and natural phenomena such as sunlight, storm, rain, and fog. He was fascinated by the violent power of the sea, as seen in Dawn after the Wreck (1840) and The Slave Ship (1840). Turner placed human beings in many of his paintings to indicate his affection for humanity on the one hand (note the frequent scenes of people drinking and merry-making or working in the foreground), but its vulnerability and vulgarity amid the 'sublime' nature of the world on the other hand. 'Sublime' here means awe-inspiring, savage grandeur, a natural world unmastered by man, evidence of the power of God - a theme that artists and poets were exploring in this period. The significance of light was to Turner the emanation of God's spirit and this was why he refined the subject matter of his later paintings by leaving out solid objects and detail, concentrating on the play of light on water, the radiance of skies and fires. Although these late paintings appear to be 'impressionistic' and therefore a forerunner of the French school, Turner was striving for expression of spirituality in the world, rather than responding primarily to optical phenomena. Rain, Steam and Speed - The Great Western Railway painted (1844).His early works, such as Tintern Abbey (1795), stayed true to the traditions of English landscape. However, in Hannibal Crossing the Alps (1812), an emphasis on the destructive power of nature had already come into play. His distinctive style of painting, in which he used watercolour technique with oil paints, created lightness, fluency, and ephemeral atmospheric effects. (Piper 321) One popular story about Turner, though it likely has little basis in reality, states that he even had himself "tied to the mast of a ship in order to experience the drama" of the elements during a storm at sea. In his later years he used oils ever more transparently, and turned to an evocation of almost pure light by use of shimmering colour. A prime example of his mature style can be seen in Rain, Steam and Speed - The Great Western Railway, where the objects are barely recognizable. The intensity of hue and interest in evanescent light not only placed Turner's work in the vanguard of English painting, but later exerted an influence upon art in France, as well; the Impressionists, particularly Claude Monet, carefully studied his techniques.
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